Dear 4th through 8th grade families,
I have received 3 more recommendations for teachers from current families:
1. Quinn Fitzpatrick for guitar
2. Kimmer Morris for violin
3. Randal Bays for Irish fiddle
I include more information about these 3 teachers at the end of this entry. In addition to these teachers, remember that Kat Fritz (who has a new studio on Maxwelton Road), James Hinkley (cello, viola, violin), Levi Burkle (guitar), Elizabeth Lovelace, and Teo Benson have been recommended in the past by families at our school.
On Practicing I read a great deal about violins, guitars, history, and theories of practicing this summer. Different sources offer conflicting advice. Here are some statements to sink our teeth into (I don't necessarily support or denounce them).
1. No practice is better than poor practice or practice done without joy. One teacher claims that students who do not feel motivated may progress more by playing only with the strings teacher in school (and/or with a private teacher) than they would practicing without attention and intention.
2. Paganini's father had him practice 10 hours a day; that was probably too much. Ivan Galamian, Itzak Perlman's teacher, was able to simplify practice for his students so that they only needed 4 hours of practice a day; this practice was so intense (and rewarding) that more than 4 hours would be too much.
3. A standard recommendation is for students to NEVER practice material beyond what their teacher has assigned.
4. That being said, as a student I almost always practiced ahead in the book and learned more challenging material, so I would have a hard time enforcing point 3. It is also true that when I went to advanced music camps, I had to go through a lot of remedial technique work--whether this is because I had rushed before or because it was in the nature of my particular Julliard teachers to get me to use their exact technique, I don't know.
5. The benefit of playing a challenging instrument is that it causes hand, heart, and head to work together. Galamian was a successful teacher because he avoided having students focus on rote drills, but rather had them challenge their minds and fingers together (thousands of ways to make any scale more and more challenging, in a playful manner). Galamian has inspired me to pick back up my etudes and scales; an hour or two spent with them does not feel like work--though it is intense.
4th Grade We have begun playing. Some students note how scratchy their tone is. Here are techniques I am working on to help them develop a good tone and bow technique.
A. Isolate the bowing and left hand fingering.
B. Bow through a tube (toilet paper, paper towel) while singing to get a sense of a straight bow arm.
C. Bow open strings, concentrating on the A and E strings (highest pitch).
D. Use short strokes in the middle of the bow at first; longer, slower bow strokes are more challenging at first.
For left hand fingering, the following helps.
A. For the first couple of weeks, allow the banjo position; this lets the student see her or his left hand placement.
B. Play pizzicato (plucking the strings) while fingering with the left hand.
C. Wait to bow the strings while fingering with the left hand.
In class, working out of imitation, I am introducing the students to the 6 getting started exercises in Smart Violin. You have all received this book (please write a check for $8 to WIWS if you have not done so yet). Please keep this book at home for now; this is for you (or a private teacher) to use to support your child. In class we will be working out of imitation at least until the new year.
5th & 6th grade Continue much as before as we prepare for Michaelmas
1. G major scale (challenge yourself with new rhythms like we do in class)
2. Jolly is the Miller Boy
3. Largo (Strings Extraordinaire)
4. Tumba (Strings Extraordinaire)
5. D major scale.
6. Oats and Beans and Barley Grow
7th & 8th grade Wednesday I will introduce the A chord and the progression for Oats and Beans and Barley grow. Students have purple main lesson books they can and should bring home to practice.
Practice the G, D, and A chords, particularly switching amongst them.
Practice playing and singing (or humming or thinking about) Jolly is the Miller Boy and Oats and Beans.
We will work on strumming muted chords. Michaelmas is coming soon. I intend for the students to perform, and muted chords are away to bolster the rhythm section if the left hand is not quite ready to finger all the notes.
Michaelmas Band meets for 2 more Mondays and then will perform for dancers after the Michaelmas play. We are performing 2 waltzes and 1 polka. I encourage parents to join us as well. I will provide sheet music.
More about the teachersGuitar teacher
Quinn Fitzpatrick has a website
www.quinnfitzpatrick.com His
phone number is 579-3052. At least one Waldorf student takes lessons with Quinn and another will start taking lessons from
Quinn next week. A parent tells me that he is an amazing teacher.
Kimmer Morris has taught violin to a number of Waldorf students in the past, and parents and students have been pleased with the experience. As a public school music teacher, she helped created the great garden at the middle school which donates food to Food Bank. You can contact Kimmer at
kimmerlyzimmer@yahoo.com or 360-221-6932.
Randal Bays sent the following.
Greetings all,
Fall is settling in here on the island, a beautiful time of year and a good time for making music. I'm writing to let you
know that I'm available for private lessons and small classes. My specialty is Irish fiddle, but I enjoy helping people learn
music and I'm happy to teach
all styles and
all levels of fiddling. I also teach guitar, specializing in
solo fingerstyle playing.
PRIVATE LESSONS are taught at my home studio near Maxwelton Beach; half hour, $25; one hour, $45. Beginning
to advanced, all ages. [I'm open to bartering; if you really want to study with me, I don't want the cost to be an obstacle.]
KIDS FIDDLE CLASS I'll be teaching a kids' fiddle class on Saturday mornings in October. There will be five sessions of forty-five minutes
each and the cost is $75. This class would be good for any child who has an instrument and has made a start on learning to play.
The focus will be on learning some easy standard fiddle tunes and having fun playing them together.
IRISH TUNE CLASS There are thousands of Irish fiddle tunes and it's hard to know which ones to spend time on learning.
Starting in October I'll teach a weekly tune learning class, drawing from the many great tunes I've collected in thirty years of
fiddling. Tunes will be taught in the traditional way, by ear, and music handed out at the end of each class.
Randal Bays has been playing and teaching Irish fiddle for over thirty years and has performed and taught at festivals and
music camps throughout the U.S., Canada and Europe. For more information visit www.randalbays.com